Movie Name : Hari Hara Veera Mallu
Release Date : July 24, 2025
Rating : 3/5
Starring : Pawan Kalyan, Nidhhi Agerwal, Bobby Deol, Nassar, Sunil, Dalip Tahil, Adhitya, Sachin Khedekar, and others
Director : Jyothi Krishna – Krish
Producers : A. Dayakar Rao A. M. Rathnam
Music Director : M. M. Keeravani
Cinematographer : Gnana Shekar V. S.Manoj Paramahamsa
Editor : Praveen K. L.
Hari Hara Veera Mallu: Part 1-Sword vs. Spirit, Pawan Kalyan's eagerly anticipated period epic, has finally debuted in theatres after years of anticipation. What appeared to be a shelved project has now reappeared as one of the year's most talked-about film events. After Pawan Kalyan's heated pre-release speech and press appearances, the previously muted buzz grew significantly, raising anticipation to unprecedented levels. The stage is prepared for a magnificent historical spectacle as the movie is currently showing in theatres all around the world. Does it, however, meet the challenge? This is our assessment from the initial screening.
Story:
The 1650s setting of Hari Hara Veera Mallu centres on Veera Mallu (Pawan Kalyan), a Robin Hood-like character who attracts the King of Kollur's interest. Veera outwits the king and makes her getaway with Panchami (Nidhhi Agerwal) after being assigned a royal assignment. Later on, Qutub Shah (Dalip Tahil) acknowledges his slyness and gives him a much more important assignment: to retrieve the fabled Koh-i-Noor diamond. Veera agrees and travels to Delhi, where Aurangazeb (Bobby Deol) holds the diamond. But there is a deeper motivation behind this mission. What is the real goal of Veera? Why does Qutub Shah believe in Veera, and who is Panchami? Does Veera and Aurangazeb have a similar past? The answers unfold gradually, revealing the layers of Veera’s mysterious past.
Plus Points:
The film's presenter, A. M. Rathnam, is most commendable for his persistent belief. His conviction in the narrative is evident and deserving of sincere gratitude.
Pawan Kalyan gives the part a sense of gravity. His presence in the action scenes is thrilling, and his acting is composed and powerful. His delivery of words reverberates with conviction and authenticity, especially in emotionally difficult sequences based on Dharma.
One of the film's greatest strengths is the action choreography. The Machilipatnam port battle, the Charminar combat, and the Kushti conflict in Kollur are the three most notable scenes in the first half. Each is performed with flare and scale. A gripping action sequence in a Mughal-ruled village in the second half is notable for its unadulterated intensity. The energy of the stunts elevates these scenes, and they are fully deserving of praise for providing cinematic excitement.
Despite having little on-screen time, Nidhhi Agerwal plays her role with poise. Although his interactions with Pawan are brief in this chapter, Bobby Deol is fierce and scary. It's obvious that their last confrontation is being saved for the sequel. Supporting actors such as Sathyaraj, Raghu Babu, Sunil, Kabir Duhan Singh, and others serve their roles effectively.